Luca Signorelli

Crtona 1441-1523 .Italian painter of the Umbrian school, who probably studied with Piero della Francesca. He worked in Cortona, where some of his paintings have remained. Subsequently he worked in the Cathedral of Perugia, in Volterra, and at Monte Oliveto before undertaking (1499) the decoration of the Cappella Nuova in the Orvieto Cathedral. There he represented the apocalyptic series of the Story of the Anti-Christ, the End of the World, the Resurrection of the Bodies, Paradise, and the Inferno, as well as figurations from antique poems and the Divine Comedy. The infernal scenes are remarkable for their imaginative evocation of fiends and tortures of Hell. Michelangelo was influenced by his powerful treatment of anatomy and the vivid realism he used for dramatic ends. Signorelli's paintings in the Vatican, where he went in 1508, were later sacrificed to make way for some of Raphael's work.


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Luca Signorelli The Dmned Sent to Hell oil


The Dmned Sent to Hell
Painting ID::  30447
The Dmned Sent to Hell
mk68 Fresco.width orvieto,Orvieto Cathedral Chapel of San Brizio 1499-1504
   
   
     

Luca Signorelli The Dmned Sent to Hell oil


The Dmned Sent to Hell
Painting ID::  30449
The Dmned Sent to Hell
mk68 Fresco.width orvieto,Orvieto Cathedral Chapel of San Brizio 1499-1504
   
   
     

Luca Signorelli The Damned Sentto Hell oil


The Damned Sentto Hell
Painting ID::  30950
The Damned Sentto Hell
mk68 1499-1504
mk68 1499-1504
   
   
     

Luca Signorelli The Mourning of Christ oil


The Mourning of Christ
Painting ID::  33268
The Mourning of Christ
mk83 1502 Tempera on wood 270x240cm
mk83 1502 Tempera_on_wood 270x240cm
   
   
     

Luca Signorelli Portrait of a Lawyer oil


Portrait of a Lawyer
Painting ID::  33398
Portrait of a Lawyer
mk86 c.1490-1500 Oil on wood 50x32cm Berlin.
mk86 c.1490-1500 Oil_on_wood 50x32cm Berlin.
   
   
     

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     Luca Signorelli
     Crtona 1441-1523 .Italian painter of the Umbrian school, who probably studied with Piero della Francesca. He worked in Cortona, where some of his paintings have remained. Subsequently he worked in the Cathedral of Perugia, in Volterra, and at Monte Oliveto before undertaking (1499) the decoration of the Cappella Nuova in the Orvieto Cathedral. There he represented the apocalyptic series of the Story of the Anti-Christ, the End of the World, the Resurrection of the Bodies, Paradise, and the Inferno, as well as figurations from antique poems and the Divine Comedy. The infernal scenes are remarkable for their imaginative evocation of fiends and tortures of Hell. Michelangelo was influenced by his powerful treatment of anatomy and the vivid realism he used for dramatic ends. Signorelli's paintings in the Vatican, where he went in 1508, were later sacrificed to make way for some of Raphael's work.

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